SPIDER-MAN
2026

Take the person in the attached image and place them in a cinematic Spider-Man scene, keeping their exact face completely unchanged — same face shape, skin tone and texture, eyes, eyebrows, nose, lips, jawline, hairline and hairstyle, every facial detail identical to the reference; do not beautify or stylize the face. Their body wears the classic red-and-blue Spider-Man suit with detailed raised webbing texture, the mask held loosely in one gloved hand. They stand at the edge of a Manhattan skyscraper rooftop at golden hour, wind catching the suit, city sprawling below in atmospheric haze. Low-angle hero shot, 24mm anamorphic lens, warm golden backlighting with a cool blue shadow fill, subtle lens flare on the skyline, volumetric light between the buildings, teal-and-orange blockbuster color grade, shallow depth of field on the background. Cinematic poster photography, ultra-high resolution 8K, shot on ARRI Alexa 65, photorealistic, hyperdetailed suit fabric and skin texture, award-winning composition, Hollywood blockbuster grade, printed poster quality.

Using the attached reference image, keep this person's face 100% identical — exact eye shape, nose, lips, jawline, skin texture, hairline and hairstyle, no alterations, no smoothing, no stylization — and dress their body in a rain-soaked Spider-Man suit, mask pushed up above the brow so the full face is visible. They crouch on a fire escape in a neon-lit New York alley at night in heavy rain, water streaming off the suit's textured webbing, breath visible in the cold air. Neon cross-lighting: magenta sign glow from the left, cyan streetlight rim from the right, deep black shadows, raindrops sharp in the foreground bokeh. Medium close-up, 35mm anamorphic lens, cyan-and-magenta neon-noir color grade, filmic grain, wet-surface reflections everywhere. Cinematic poster photography, 8K ultra-high resolution, photorealistic, hyperdetailed water droplets on skin and suit, moody blockbuster grade, masterwork.

Preserve the exact face of the person in the attached image — identical facial structure, skin tone, eyes, eyebrows, nose, mouth, jawline and hairstyle, unmistakably the same person, zero face modification — and place them mid-air swinging on a web line between glass skyscrapers, maskless, wearing the full Spider-Man suit on the body. Dynamic diagonal composition, body arched mid-swing, web line taut and glinting, city canyon rushing below with motion-blurred traffic light trails. Late-afternoon sun flaring between towers, strong rim light outlining the silhouette, atmospheric haze, dust particles catching light. Wide action shot, 21mm lens with slight fisheye energy, frozen-motion clarity on the face and suit with background motion blur, teal-and-orange grade with golden highlights. Cinematic poster photography, ultra-high resolution 8K, ARRI Alexa 65, photorealistic, hyperdetailed suit webbing under tension, epic scale, award-winning action composition.

Keep this person's face exactly as it appears in the attached reference — every facial detail locked: face geometry, skin texture and tone, eye color and shape, nose, lips, jaw, hairline — no idealizing, no changes. Body in a battle-worn Spider-Man suit with scuffs and torn webbing, mask off. They land in the iconic three-point superhero crouch on cracked wet asphalt, one hand touching the ground, eyes up toward camera, debris and sparks floating around them from an off-screen explosion. Practical fire lighting from behind casting warm orange rim light, cool blue moonlight fill from the front, smoke and ember particles in volumetric layers. Ground-level low-angle shot, 28mm lens, shallow depth of field, desaturated steel grade with fiery orange accents, gritty filmic grain. Cinematic poster photography, 8K, photorealistic, hyperdetailed battle damage and skin pores, Hollywood blockbuster grade, epic tension.

Using the attached image as a strict face reference — do not alter face shape, features, skin tone, texture, or hairstyle in any way; the person must be instantly recognizable — show them hanging upside down from a web line in front of a rain-streaked brick wall at dusk, wearing the Spider-Man suit, mask peeled down to the forehead exposing the whole face (note: face is upside down but features remain accurate to the reference). Soft blue-hour ambient light with a single warm streetlamp key light from below-frame, glistening rain droplets on the suit and face, string of bokeh city lights behind. Tight vertical portrait composition, 50mm lens, shallow cinematic depth of field, pastel-muted romantic grade with warm amber accent, gentle film grain. Cinematic poster photography, ultra-high resolution 8K, photorealistic, hyperdetailed wet suit texture, tender iconic mood, printed poster quality.

Lock the face to the attached reference image — 100% identity preservation of all facial details, proportions, skin texture, hairstyle; render the face with photographic fidelity, no stylization. The person stands center-frame in an emptied Times Square at night in the full Spider-Man suit, mask gripped in their right hand at their side, cape-less silhouette lit by a wall of giant glowing billboards behind them, steam rising from street vents, papers drifting in the air. Symmetrical one-point-perspective composition, slight low angle, 32mm lens, massive depth and scale, billboard glow as colored key light (electric blue and red), volumetric haze, cyan-and-crimson comic-epic color grade. Movie-poster energy with empty space at top of frame, cinematic poster photography, 8K ultra-high resolution, ARRI Alexa 65, photorealistic, hyperdetailed, award-winning blockbuster composition, masterwork.

Keep the exact face from the attached image — identical features, skin tone and texture, eyes, nose, lips, jawline, hairstyle; no retouching or beautification. The person sits on a snow-dusted rooftop ledge at dawn in the Spider-Man suit, mask resting beside them, knees up, gazing over a waking city, faint breath fog in the cold air, snowflakes drifting. Soft overcast diffused light with a pale gold sunrise rim on one side of the face, muted pastel grade — powder blue, soft rose, warm cream highlights — gentle film grain, quiet melancholy mood. Medium-wide side profile-to-camera composition, 40mm lens, shallow depth of field on the distant skyline. Cinematic poster photography, ultra-high resolution 8K, photorealistic, hyperdetailed snow on the suit's webbing texture, intimate indie-film atmosphere, printed poster quality.

Strictly preserve the face of the person in the attached reference — exact facial geometry, skin texture and tone, eyes, eyebrows, nose, lips, jawline, hairline and hairstyle; render it with photographic fidelity, zero beautification. They stand in a derelict dance studio facing a wall of cracked, dust-covered mirrors, wearing the Spider-Man suit, mask in hand at their side. Their true face reflects across seven shattered mirror shards, but in one single shard the reflection wears the mask — the only masked fragment. A single practical work-light on the floor throws hard low-angle amber light, long dramatic shadows climbing the walls, dust motes suspended in the beam. Medium-wide symmetrical composition, 35mm lens, deep focus so every shard reads sharply, desaturated amber-and-charcoal grade, heavy filmic grain. Psychological-thriller poster energy, cinematic photography, ultra-high resolution 8K, ARRI Alexa 65, photorealistic, hyperdetailed cracked-glass refraction, award-winning composition, masterwork.

Lock the face 100% to the attached image — identical features, proportions, skin texture, hairstyle; the person must be instantly recognizable, no stylization. They stand on the very tip of the Chrysler Building's steel eagle gargoyle during a violent night thunderstorm, Spider-Man suit soaked and rippling in the wind, mask clutched in a fist at their side, face tilted up defiantly into the rain. At the exact frozen instant of the frame, a colossal fork of lightning splits the sky directly behind them, illuminating the storm clouds from within like a cathedral. The lightning is the sole key light — hard, white-violet, etching every raindrop in mid-air as a silver streak — with the city below reduced to faint embers of light through the downpour. Extreme low-angle wide shot, 18mm lens, near-monochrome slate-blue grade with the violet lightning core as the only saturated element, rain streaks razor-sharp in foreground. Mythic cinematic poster photography, 8K, photorealistic, hyperdetailed wet suit and skin, apocalyptic scale, masterwork.

Keep the exact face from the attached reference photo — every detail of eyes, nose, lips, jawline, skin tone and texture, hairline unchanged; no smoothing, no idealizing. Interior of a rattling late-night NYC subway car, fluorescent light flickering. The person sits alone among three oblivious sleeping passengers, wearing a worn hoodie half-zipped over the Spider-Man suit — the red-and-blue webbing visible at the collar and wrists — mask resting on their knee, head leaned against the scratched window, exhausted eyes open, a fresh cut above one eyebrow. Their reflection in the dark window glass shows the city lights streaking past. Sickly green-white fluorescent key light with a warm sodium flicker from passing tunnel lamps, muted bleach-bypass grade, documentary handheld framing slightly off-center, 40mm lens, shallow focus isolating the face. Gritty A24-style character-study poster, cinematic photography, ultra-high resolution 8K, photorealistic, hyperdetailed fabric wear and skin, quiet devastating realism, masterwork.

Face locked to the attached image — exact facial identity, structure, skin texture, hairstyle; photographic fidelity, no alterations. The person hangs suspended at the center of a vast abandoned cathedral interior, held in a colossal geometric spiderweb spun between the stone pillars — hundreds of silk strands radiating outward like a mandala, each strand catching light. They wear the Spider-Man suit, maskless, arms spread along the web lines, face calm and lit from above. A single shaft of dusty golden god-ray light pours through the shattered rose window directly onto the face, the rest of the cathedral falling into deep indigo shadow, candle points glowing far below. Perfectly symmetrical center-framed wide shot, 27mm lens, renaissance-painting chiaroscuro, deep crimson-and-gold grade, floating dust and drifting feathers in the light column. Sacred surreal poster energy — Caravaggio meets Spider-Verse — cinematic photography, 8K ultra-high resolution, photorealistic, hyperdetailed silk strands and stonework, breathtaking scale, masterwork.

Preserve this person's face exactly as in the attached reference — identical eyes, nose, mouth, jaw, skin tone and texture, hairstyle; unmistakably the same person. Night rooftop, torrential downdraft from a police helicopter hovering just off-frame — its blinding searchlight pins the person center-frame like a stage spotlight, rain and grit whipping sideways through the beam. They stand unflinching in the Spider-Man suit, mask just pulled off mid-reveal, hair blown back, eyes squinting into the light with quiet defiance, newspaper pages and debris spiraling around them. Hard white searchlight key from high right, red-and-blue police light bounce strobing off wet rooftop puddles, everything outside the beam crushed to black. Medium-full shot, slight Dutch angle, 32mm anamorphic lens with harsh flare across frame, high-contrast noir grade with red/blue accents, motion-blurred rain against a tack-sharp face. Fugitive-thriller poster energy, cinematic photography, ultra-high resolution 8K, ARRI Alexa 65, photorealistic, hyperdetailed, masterwork.

Face identity locked to the attached photo — precise face shape, features, skin texture, tone, hairline; no beautifying, no changes. Dawn after a catastrophe: the person walks slowly toward camera out of a canyon of collapsed building rubble, carrying their torn mask loosely in one hand, Spider-Man suit shredded at the shoulder and forearm, skin dusted grey with concrete powder except where tear-tracks have cleaned two lines down the face. Behind them the ruin exhales a golden haze — morning sun flooding through the dust cloud in massive volumetric shafts, turning the destruction into something almost holy. Ash flakes drift like snow. Slow frontal tracking-shot framing, waist-up, 50mm lens, shallow depth, warm amber-and-bone color grade with soft bloom on highlights, fine film grain. War-film gravitas, devastating and beautiful, cinematic poster photography, 8K ultra-high resolution, photorealistic, hyperdetailed dust on skin and torn suit fibers, award-winning composition, masterwork.

Keep the face 100% faithful to the attached reference on BOTH figures — same exact person, identical features, skin texture, hairstyle; no stylization. A flooded neon-lit street at 3 AM, ankle-deep black rainwater turned to a perfect mirror. The person stands in the classic red-and-blue Spider-Man suit, maskless, looking down — but their reflection in the water wears the jet-black symbiote suit, also maskless, same face staring back up with a colder expression. The reflection is impossibly sharp, almost more real than the figure above. Cold cyan streetlight key on the real figure, the reflection lit with a faint violet under-glow rising from the water, thin rain rings disturbing the mirror at the frame edges only. Vertical composition split by the waterline, 35mm lens, deep blacks, cyan-violet duotone grade, glassy stillness. Psychological duality poster — Nolan-grade concept — cinematic photography, ultra-high resolution 8K, photorealistic, hyperdetailed water reflection physics, masterwork.